Below are the most recent posts on NedMarcus.com.
A short science fiction story set on a forest planet. Two warriors meet in the midst of war...
A very interesting quote by CS Lewis on Tolkien. Publishing again because one of the authors at my critique group today submitted quite a nice story that fitted this theme. The quote is now added to my quotes page.
"Tolkien once remarked to me that the feeling about home must have been quite different in the days when a family had fed on the produce of the same few miles of country for six generations, and that perhaps this was why they saw nymphs in the fountains and dryads in the woods – they were not mistaken for there was in a sense a real (not metaphorical) connection between them and the countryside. What had been earth and air and later corn, and later still bread, really was in them. We of course who live on a standardised international diet (you may have had Canadian flour, English meat, Scotch oatmeal, African oranges, & Australian wine to day) are really artificial beings and have no connection (save in sentiment) with any place on earth. We are synthetic men, uprooted. The strength of the hills is not ours."
"Wrong leads to evil," is an old idea that seems to have been forgotten. In my work-in-progress, Friar Mo, an itinerant friar speaks these words in his efforts to counter the re-enchantment of Britain where the truth is no longer of any importance.
He jumped when a piece of panelling was ripped from the wall. A long reptilian snout pushed itself inside, and it turned to look at them. “It’s grinning,” the woman said.She was right, and he shivered at the implications.
From Orange Storm
“I summon the Orange Witch.”
She felt herself shifting towards another plane. The colours changed, and she left the room in London behind...
The image of the planet of ice and fire returned, and then she was in a steaming jungle. A pair of bright eyes watched her. She shuddered but focussed on her breathing. This was too real. A head materialised before her—the witch.
From Orange Storm
Several flowers in the forest glade glowed in greeting, and a large yellow bird watched her from a branch.
From The Orange Witch
When Lucy arrives back in Britain, after having spent the past few years on the planet of Prometheus, she finds changes in the English forest.
July 31st is the last day of the sale of my books on Smashwords. It's your last chance (probably for quite a while) to get Blue Prometheus and Orange Storm (the first books in each of my series) for free.
There are discounts on other books too!
The River Fleet used to be a major London river. Now it's the largest subterranean river beneath London. Sadly, it's been polluted for centuries, and now it's a sewer.
But in the novel I'm writing now, the Fleet is a part of subterranean London where the poorest people, the outcasts, and the misfits live.
It's also where the re-enchantment of Britain takes an unusual turn.
Magic forests have always been a part of fantasy and were a part of mythology before that. The attraction of the deep, mysterious forest is strong. During the day, they can be beautiful. At night, a forest can easily become a threatening place.
Forests have been places of sanctuary and danger. If you leave the path, the forests near my home are still dangerous: full of poisonous snakes and spiders.
The picture below shows the bright side.
Natural magic involves aligning yourself with the power that pulses through the universe. It also gives the ability to call on the help of sympathetic animals and insects.
Black magic is magical coercion: forcing spirits to do as the sorcerer wills. It’s carried out for personal gain.
Because of this, natural magic is less certain, but when the universe is behind you, it’s unstoppable.
The hyena appears in Blue Prometheus.
A quick reminder that all my books are available on Kobo Plus—free to read if you're subscribed.
Also, Kobo has just launched Kobo Plus in Spain.
All my books are for sale in the Smashwords Summer Sale!
Series starters (Blue Prometheus and Orange Storm) are free. All other books have 25% off. It's a good opportunity to try both series.
The future is indicated not predetermined
The ancient mariner in Blue Prometheus.
One of the older books in my library. A 1943 edition of Norwegian fables.
It was my father's (he spoke Norwegian and knew the author). For me it's just a beautifully bound book.
Sometimes, many ideas come at once; other times, they flow more slowly. I've taken part in a flash fiction challenge, and it was a time when ideas flowed. I've outlined four stories (science fiction and fantasy). I like all of them and plan to develop them.
The one I've written is a retelling of Jack and the Beanstalk. I've taken an earlier version where one of the characters turns into a murderous basilisk. I didn't realise, but this story may date back to the Bronze Age.
Warriors with Sheathed Swords has just been published by Penumbric. Click to read for free...
The image was the inspiration for the story which I wrote as part of a flash fiction challenge.
One advantage of it often taking years to sell a short story is that you get plenty of time to edit and polish it.
Absolutely love these books, best I've read. Perfect fantasy books, pulls you in. Definitely worth the money. Lisa (Amazon UK)
I created the image by pasting the review into AI.
Would you be interested in an author audio version of Blue Prometheus?
I'm thinking of making YouTube videos of me reading Blue Prometheus. I'd use images based on parts of the story and read over them.
I'm not a professional voice actor, nor would I be using high-tech equipment, but they would be free to listen to.
Is this something you may be interested in?
Let me know in the comments!
I've just finished Mircea Eliade's A History of Religious Ideas Vol 1. It covers the period from the Stone Age to the Eleusinian Mysteries.
With the Stone Age, basically they're guessing. "The documentary evidence is opaque."
I'm not surprised. It goes back over 30,000 years.
The documentary evidence is bones (particularly skulls), objects found in graves, stone tools, and cave paintings. The educated guesses are still interesting.
The book covers Ancient Egypt, the old Iranian religions, the ancient Greek religions, the Old Testament days, and more.
It ends with the Eleusinian Mysteries: the story of Demeter and her daughter Persephone, who was dragged to hell, and only (partially) escaped because Demeter messed up the world's weather systems. Interesting that after the destruction of the last pagan temples in Greece (around 500AD) the ideas continued in mystery traditions and are still alive today in modern day paganism.
Books like this give me many ideas to explore in my stories.
"Evil follows after wrong."
Spoken by a Capuchin friar in an old alchemical text. I can't get it out of my mind.
It's a truth I can see playing out around the world. The evil may not come immediately, of course.
The idea has become a motif in my current fantasy story.
The re-enchantment of the world is not all it seems. The hallucinogenic drugs touted as safe are not all they seem. They call something from a realm that touches ours. At first, you see cool faces and funny things. But then it changes...
I've been rereading Jung's The Undiscovered Self recently. So much that's good here, but one thing stood out was his idea that it's astounding that we (humans) have made ourselves so negligible, despite having achieved so much.
Astronomers love to show the Earth as an insignificant speck in the universe. This is one perspective, but not the only one. I think this view comes about more because of a contempt for religion than anything else.
Jung's point, however, is that we lack understanding of ourselves, which I completely agree with.
I couldn't sleep, so got up at 2:30 AM this morning and began writing. Not bad. I got three hours writing in. I'm moving ahead with my new novel. But I think my sleeping patterns are strange. Perhaps I'm becoming a medieval person.
In medieval times, people used to practice segmented sleep patterns with what they called the first sleep in the evening, and a second sleep in the morning or afternoon.
One difference is that I don't have to put up with bedbugs, lice or fleas.
For me, it's boredom, poor writing, or a story going in a direction I'm not interested in. Mostly, I'd never buy these books. Not after reading a sample. After I buy a book, I'll usually try to push on for a few more chapters, even if I'm bored. Some books, like Dune Messiah, have slow starts but become brilliant later.
If a book is loved by many people, I'll push on a bit further than I otherwise would just in case I'm missing something.
In practice, I don't often give up on books I've bought.
How about you?
Recently I had an online discussion with another writer who said that we shouldn't accept sub-par payment from fantasy and SF magazines.
I respect this writer for the help he gives other writers, and I agree the payment isn't worth the time and effort put in—not directly. But I disagree that it's therefore not worthwhile submitting short stories to magazines.
There are indirect payments that can potentially be worth much more.
First, is the practice you get writing.
Second, you're tested. And some of the comments from magazines can be quite blunt. On the other hand, when your stories start reaching the final round of consideration more often, you learn which stories are working, too.
The third benefit comes from getting your stories in front of people who would never normally see them. It's a form of marketing that may pay back in the future.
Recently, I've had a sudden increase in people visiting this website from a short story I wrote years ago—The Boatmen—that was originally published in a fantasy forum, and has since been republished as a reprint (and audio). While I don't expect anything to come from it except perhaps an extra sale or two, it's an example of the possible marketing value of submitting stories to magazines.
The original Blue Prometheus cover. Now only to be found in a handful of secondhand bookshops in Taipei.
Kobo Plus has recently expanded to Taiwan and Hong Kong (this post links to the HK store). Most recently, it's expanded to South Africa and Ireland.
All my novels are there!
One of my fears about AI is that it will become a new god, but a god controlled by a rich elite.
"But, most of all, I wanted to meet the intelligent alien species that lived hidden in the great primeval forests of the planet. Of course, now I know it's the humans who are the aliens."
From Young Aina
“Once men turned their thinking over to machines in the hope that this would set them free. But that only permitted other men with machines to enslave them.”
Frank Herbert, Dune
In the dark forest, the flowers glowed in greeting. Britain had changed.
From The Orange Witch
50% off The Darkling Odyssey and The Orange Witch on Smashwords for one week.
Young Aina is free!
Click over to the Smashwords store and buy at discounted prices!
The Orange Witch begins in a ruined church surrounded by an alien forest that has appeared on Earth.
My current work in progress is set between two versions of London: a slightly futuristic London that's falling apart and a mythical London that coexists with it.
Both the pictures below are intended as the magical version.
They fell through the hot and sticky liquid rock, their combined magic lighting them up like a rocket shooting into the depths of the planet.
From The Darkling Odyssey
My books are always behind me because I change faster than I can write and publish. Looking at my older novels feels like looking back into history.
The novel I'm writing now keeps transforming. Originally, contemporary fantasy, it's becoming closer to mythic fiction. There's a single sci-fi element, too.
Deception and terror in the land where the moon always shines.
I'm playing with different prompts to see how the AI mind interprets them. This one was inspired by a short story I've written.
I've been reading about English folklore and came across something C.S. Lewis wrote about a remark Tolkien once made to him. It's a very different way of seeing life from nowadays. And fascinating.
Tolkien once remarked to me that the feeling about home must have been quite different in the days when a family had fed on the produce of the same few miles of country for six generations, and that perhaps this was why they saw nymphs in the fountains and dryads in the woods – they were not mistaken for there was in a sense a real (not metaphorical) connection between them and the countryside. What had been earth and air and later corn, and later still bread, really was in them. We of course who live on a standardised international diet (you may have had Canadian flour, English meat, Scotch oatmeal, African oranges, & Australian wine to day) are really artificial beings and have no connection (save in sentiment) with any place on earth. We are synthetic men, uprooted. The strength of the hills is not ours.
The first choice for most readers was epic fantasy. Contemporary fantasy came second. This doesn't really surprise me. I enjoy both of these.
Since asking, I've been considering other possibilities. Some of them are very different from each other. Two such genres are historical fantasy and science fiction. I like both, but probably one of the stories I most enjoyed writing was a historical fantasy short story set in 7th century Britain.
I enjoyed the research, and the actual task of putting a fantasy story within a real historical period. The historical details, I made as accurate as I could. The fantasy is obviously fantasy, but I tamed down the magic a lot. Actually, I can't imagine writing any big magic in a historical fantasy.
Which do you prefer: science fantasy, contemporary fantasy, epic fantasy, or planetary romance?
Or something else?
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