The Reality of Research When Writing Fantasy

Some people believe that writing fantasy involves little research—even some of the writers of fantasy that I’ve spoken to. It can be that way with some sorts of fantasy, but for me writing fantasy involves research.

Here are some of the topics I’ve researched when writing fantasy and science fiction. The list is not comprehensive, I certainly could have extended it, but it gives an idea of some of the topics I’ve researched for my short stories and novels (both fantasy and science fiction).

Ned Marcus—fantasy research. Image of river gorge by Samuel KalinaNature and geology were two of the subjects I researched.
  • geology
  • planets
  • electronic engineering
  • divination
  • the occult/paranormal
  • Special Boat Service (SBS)
  • MI5
  • London streets and parks
  • Shakerley Mere in Cheshire
  • basic microbiology
  • basic mycology
  • studies on human consciousness
  • construction of castles (and the rationale behind it)
  • how to use sling shots
  • sword fighting 
  • archery
  • construction of castles
  • firearms
  • mythology
  • history
  • moths


My second novel was partly inspired by Journey to the Centre of the Earth. I read a few books on geology to get the feel of the actual geology of the Earth. From this, I made notes which I used to imagine what it would be like if you could travel through rock using magic. The real science helped me imagine a fantasy journey through the planet. 

Reading about geology, in part, inspired the rock magic of my first trilogy.

Electronic Engineering

I read a single paper on electronic engineering. Understanding, even on a basic level, what happens in electronic circuits, helped me imagine what it could be like to communicate telepathically with AI.

This was particularly useful when Aina fought intelligent robots in Blue Prometheus.


I’ve studied and read tarot for decades, so the methods and philosophy when my characters divine comes from my experience. I’ve also used other systems, including the I Ching, which gave great results. Some systems, for example casting lots, I learnt from videos; however, the basic principles are the same.

The Occult/Paranormal

This is one that scares a few people, but the writings I read were spiritual and positive. Some of my characters are psychic. One of them studied magic, and I wanted to base the magic on what has been studied by people who basically see this as a spiritual practice and magic as a form of inner psychology. My research here was purely from reading books (Dion Fortune and Gareth Knight, for example) on what these writers call the Minor Mysteries. Basically, I read about the philosophy behind the beliefs, and some of this has fed into the discussions of magic in my fantasy.

Special Boat Service and MI5

Many people have heard of the SAS. The SBS (The Special Boat Service) is the naval special service. It’s the British equivalent of the US Navy SEALs. 

MI5 is the domestic intelligence service for the UK. James Bond was a member of MI6 (the foreign intelligence service). I read several books on the British special forces and intelligence services. These play a part in the Orange Storm series.

Geographical Research

For my first series, this involved travelling to Clapton Pond in London spending about an hour in the park taking photographs and making notes. For the rest of the series, the locations were on the planet of Prometheus.

For the Orange Storm series, I needed more research. I spent a year living in south London, and I lived in Cheshire as a child, but I also wanted to research the locations in Orange Storm.

I walked a lot of London streets using Google. This gave me a good feel. Also many people upload videos of walking around London. I spent hours on these too, making notes that I later used. Some wasted of course.

Basic Biology

One of the characters in the Orange Storm series, Ruth Hardy, is biologist. She studied botany, zoology, and microbiology. 

Biology was my minor at university, and sometimes I brush up on it.

Basic Mycology

If you’ve read the Blue Prometheus series, you’ll know that I created fungal forests and sentient fungal lifeforms. Some real biology helped, although I admit that I strayed quite far from the science.

Ned Marcus—research when writing fantasy. Image by Visually UsA mushroom surrounded by ferns.

Studies on Human Consciousness

This has been a lifelong interest, and I don’t really read to research stories, but my reading has sometimes fed into my stories. I’ve read older writers like Jung and Neumann, but also more recent work on neuropsychology.

The Construction of Castles 

I’ve spent time reading about and wandering around castles and asking questions about the rationale of the design. The differences in levels between rooms, for example, were to trip intruders up if they sneaked in during the night.

Archery, Sword Fighting and How to Use Sling Shots

When writing fantasy, weapons research is always useful. My knowledge of archery and sword fighting come partly from my life experience. I practiced and won an archery competition at university many years ago, and I’ve studied sword and stick fighting as a part of my kung fu classes. Information on how to use sling shots, I had to get from videos.


In a sci-fi novelette that I’ve been writing, a new species is accidentally created. Human DNA becomes mixed with that of moths, creating a new sentient species. 

I live close to sub-tropical forests, and I see a lot of beautiful moths. Reading also helped me imagine the new senses that this species could have.

Ned Marcus—research when writing fantasy. Here's an image of a brown tussock moth.A brown tussock moth.


There's much more, but I think this is enough to give an idea. I understand that some genres (and obviously nonfiction) have more research, but writing fantasy can involve as much research as you want. I can imagine writing fantasy without research, but I think that the research gives the worlds an extra depth.

Articles—Inspiration for My Fantasy


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